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Educating Julie (1984) Nudist Naturist Movie
As a performer I want to raise questions for you as an audience member. I feel it really intensely. Our piece has some pretty intense moments. We were playing with how do you see, how do you see us, how do you see yourselves watching us, how do you see your next door neighbor watching us watching you. Originally it was an exercise in which we had to be someone who we were not. That was very, very scary and made me feel guilty. One of you comments about not wanting to have a relationship with a white woman. Danielle was working on a place of fear in rape, while I went into heavy erotica and then pulled myself back and thought wait a minute, what am I doing? Therefore, women who are feminists should not represent rape in their work. We go on stage as four very strong women, naked, all coming from very different experiences.
And who was that Asian chick you were with? Her experience of being a black woman on stage was being dealt with; more specifically what it means for a black woman to allow herself to be whipped on stage. Originally it was an exercise in which we had to be someone who we were not. We wanted to create a safe place to empower the women in the audience to speak, to howl, scream, cry out if they wanted to. And I said, let me try to do a simultaneous monologue with you about an erotic situation with similar key things going on. The concept appears to be crucial to this piece. Our nudity was another way to express a naked reality. One of you comments about not wanting to have a relationship with a white woman. The violence of the history Akilah refers to is somewhat tempered by the fact that an Asian woman does the whipping. And then afterwards, we realized that we were inadvertently revealing things about ourselves. What happens is not scripted and it will never happen exactly that way again. I did go into denial about its impact on me, but after a while I realized that I was really pissed off. As a performer I want to raise questions for you as an audience member. I have a hard time with the New Age concept of the sacred. At the Hollywood Tropicana club there are referees who tell the men to keep their hands off the girls. We were playing with how do you see, how do you see us, how do you see yourselves watching us, how do you see your next door neighbor watching us watching you. In the second set of performances we did a scene in total darkness. If I were raped, how would I ever be able to feel erotic again? We do very eccentric things in that section. The men started to get enraged. Camp is about playing with all that. I went to see what all the ruckus was about and witnessed a rare instance of decidedly female energies melded together in a serenely powerful force. Much of performance art now is about finding sacredness in a totally mechanistic and hyper-industrialized, hyper-technological world. That was very, very scary and made me feel guilty. You all make jokes about and deal with the racialized sexualization of women in the piece and talk about interracial relations between women and among women.
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